If you’ve not yet discovered the Tea or Books podcast hosted by the lovely Simon (from Stuck in a Book) and Rachel (from Book Snob), then pop over and listen to their latest offering, which is all about novels based on real events and real people. They’ve been looking specifically at A Pin To See The Peepshow, by F Tennyson Jesse, and EM Delafield’s The Messalina of the Suburbs, which are both based on a notorious murder case. Edith Thompson and her lover Frederick Bywaters were hanged in 1923, for the murder of her husband Percy the previous year, although it seems Edith took no part in the killing.
I gather the two authors treat the story and its characters very differently, and I’m intrigued to find out more, especially as the case itself is so well documented, which could inhibit any efforts to turn it into fiction. Anyway, I’ve downloaded the Delafield book to the Kindle, and have pulled Peepshow from the Virago bookcase and started reading, but I haven’t finished yet (the problem with reading several books at once is that it takes a long time to complete anything, so I’ll report back on this one later). Margaret Atwood tried something similar in Alias Grace, a fictional account of a double murder in 1843: I didn’t think this was as good as most of her other work, but it might be interesting to re-read it alongside these two.
It set me considering other novels based on real life – although not necessarily on crimes. To start with, I thought it must be quite difficult to write about real situations and people, because you while you can interpret things in your own way, you can’t alter known facts, and your portrayal of someone might vary from the generally accepted view. But many novelists mine their own lives or their family histories – think of Jeanette Winterson with Oranges Are Not the Only Fruit, or Nancy Mitford’s Love in a Cold Climate, or Antonia White with Frost in May and its ‘sequels’. Or does the fact that these books grew out of personal memories rather than public knowledge set them apart from books turning real life into fiction?
And what about historic fiction? If that’s not based (however loosely in some cases) on people who actually existed, and events that really did take place, I don’t know what is. For example, there’s Hilary Mantel’s Wolf Hall, where we know exactly what happens, yet she keeps us on the edge of our seats, watching the machinations of the Tudor court, unable to warn the participants of the fate that awaits them. And Beryl Bainbridge also used real people as inspiration – you wouldn’t think there is much left unsaid about Dr Samuel Johnson, but in According to Queeney she revealed a lonely, vulnerable man, while still acknowledging his irascible temper and uncouth ways. .
All in all, I’m inclined to think that an awful lot of fiction is a retelling of real events, altered, presented from a different perspective perhaps, and related by narrators who are not always reliable.
Simon and Rachel covered a lot of ground in their discussion about books based on real life (though I don’t think they mentioned any of the ones I thought of). Books they highlighted included Virginia Woolf in Manhattan by Maggie Gee, and Vanessa and Her Sister by Priya Parmar, as well as Gyles Brandreth’s The Oscar Wilde Murder Mysteries and Amadeus, Peter Shaffer’s controversial play about Mozart. Does anyone else have any ideas about fictionalised books based on real life and real people?
PS: I spent an enjoyable few hours catching up on some of the older podcasts I missed during my absence from blogging, and ended up adding things to the Wish List, though I ought to concentrate on the existing TBR pile.
PPS:If you’re signed up to iTunes, you can find Tea or Books on their iTunes page.